Katharina Grosse, Untitled Trumpet, 2015
Vincent J.F. Huang,Crossing the Tide in the Tuvalu Pavilion
Joana Hadjithomas & Khalil Joreige, Latent Images/Diary of a Photographer
This towering wall was filled with sets of books, each numbering 1312 pages. The artists spent almost a decade photographing and writing descriptions of their subject matter; at the end of the project, it was no longer necessary to develop the images and so the pages are blank, save for the descriptive text at the bottom. It was an interesting conceptual piece that I walked past at first. On my way back through the pavilion I stopped for a second look and the work was explained to me by a gallery attendant. I found the idea so interesting, but I wouldn't be able to resist developing the film!
Flaka Haliti, Speculating the Blue, Pavilion of the Republic of KosovoThis room was bathed in special light that turned everything a shade of blue & made my nail polish glow fluorescent. The sand was very deep in the space, and a few people were taking off their shoes and walking around, so we did the same. Twice a day, the lighting changes to signify the 'blue hour' before sunrise and after sunset. Though the piece was an installation dealing with boundaries and politics, it felt very peaceful; I think a large part of that was the soothing feeling of the sand under my feet and the quiet space of the room, away from the throngs of tourists outside.
My favorite piece in the garden was The Key in Hand by Chiharu Shiota, in the Japanese Pavilion. There were thousands of keys strung together with red yarn throughout the space, anchoring boats and floating above.
Camille Norment, Rapture, in the Nordic Pavilion
Joan Jonas, They Come to Us without a Word, in the United States Pavilion